Shown in Afgang 2021 (MFA Degree Show) a group exhibition curated by Vermilion Sands at Kunsthal Charlottenborg, April 2021
Photos by: David Stjernholm © Birna Ketilsdóttir Schram © Simon Persson ©
M͎y͎ d͎e͎b͎u͎t͎ b͎o͎o͎k͎ Trauma
c͎a͎n͎ b͎e͎ p͎u͎r͎c͎h͎a͎s͎e͎d͎ v͎i͎a͎ perssonvalijani.se
Javier Alvarez Sagredo is a multi disciplinary artist. Speaking through several media, in many voices, not as an exposition of mastery but as a strategy to communicate the psychological state of alienation.
Sagredo’s afgang work Trauma
, is an installation in 5 elements: The eponymous painting, 10 metres long, references Latin American textile crafts and the Scandinavian tradition of minimalism. Cut, tarred and blistered, it appears as if a wound has opened in the wall of the Kunsthal. A heavy metal sculpture titled Speed
holding a large piece of black-tinted glass stands in the room, threatening to show you your own reflection. On a screen plays the video piece Baby
, following the story of a Swedish Elk who dreams of being an imprisoned human. In Sagredo’s own words: “A poetic reflection on topics such as wildlife, criminality, segregation, parenthood, metanoia and hope.” Scream
is performed by the dancer Klara Utke Acs
on the first and last days of the exhibition. Choreographies of repression are investigated through body language and international symbols, with reference to ballet, reggaeton and improvisational dance. The book, also titled Trauma
, is a single poem spanning 300 pages, intercut with photographs.
When taken as a whole, Sagredo’s work unleashes the repressed voices of youth, minority and statelessness, talking to and from internalised trauma and silence.
, Oil, clay and chlorine on sewn linen canvas in burnt artist's frame, 200x1000cm, 2021
, Ratchet tie down straps, pigment on tempered glass, burnt rubber, steel, 200x200x50cm, 2021
, 5 min. HD Video, Post-production: Adam Aftanas Studio, 2021
, 30 min. Performance, Performer: Klara Utke Acs, Mask by: Puer Parasitus, 2021
, 344 pages. Book, Published by Persson Valijani, 2021